East Midlands National Portfolio Organisations: CVAN EM Director Elizabeth Hawley responds

On Tuesday 27th June Leicester played host to Arts Council England’s senior managers, CEO Darren Henley and new chairman Nicholas Serota, as it announced its investment for 2018-22, during a briefing at Curve Theatre.

The Collection, Lothar Gotz, The Russell Chantry
The Collection, Lothar Gotz, The Russell Chantry

ACE’s new National Portfolio will include eleven East Midlands’ visual arts organisations. It retains the organisations, which have formed the backbone of the visual arts infrastructure over the last three years – an acknowledgement of significant work that they have carried out with artists and audiences in that time. The work of these organisations is augmented by those within the area of combined arts, as well as museums, which expands the region’s capacity to drive practice forward and engage all manner of audiences.

Leicester Print Workshop
Leicester Print Workshop
3D Printing: The Good, The Bad and The Beautiful, NCCD, April 17, photo: Electric Egg
3D Printing: The Good, The Bad and The Beautiful, NCCD, April 17, photo: Electric Egg

There is good news for craft, design and the applied arts, with ongoing investment secured for the National Centre for Craft and Design, Design Factory & Design Nation. Leicester Print Workshop will continue to provide invaluable support to practitioners within its exceptional open access printmaking studio and to make printmaking accessible to the public. Broadway, Phoenix, QUAD and Threshold Studios will continue to innovate within the areas of artist film and video and emerging technologies.

New Art Exchange. Photo: Vika Nightingale
New Art Exchange. Photo: Vika Nightingale
artsNK, Young visitors to Welbourn Horkey looking at Lyndall Phelps artwork, Fertile Ground, 2016. Photo: Electric egg
artsNK, Young visitors to Welbourn Horkey looking at Lyndall Phelps artwork, Fertile Ground, 2016. Photo: Electric egg

The region will grow as a rich environment for new work with The Collection and Usher Gallery‘s opportunities for artists to engage with its historic collections and heritage, New Art Exchange‘s pioneering culturally diverse work – which has received an uplift – Nottingham Contemporary‘s flagship international programme remaining in the Portfolio and Attenborough Arts Centre (AAC) receiving a transformative uplift. Jeremy Webster, Deputy Director AAC, said of the outcome:

“This is a significant sum of money which will help us make a step change in our provision and outputs. We will be initiating more projects and working more directly with artists. So, more commissioning rather than just ‘receiving’. This will help us establish ourselves with a wider geographical remit and help us to meet our ambitions of being a regional lead, or even maybe a national lead in inclusive arts practice. As we generate more work through this award we will use a small proportion of the grant to help increase our capacity to deliver that work and to market it.”

Sir Nicholas Serota, Chair Arts Council England, Memories of Industry exhibition at Attenborough Arts Centre with artists Robert Thacker (left) and Diane E Hall (right). Photo: David Wilson Clark did the photos
Sir Nicholas Serota, Chair Arts Council England, Memories of Industry exhibition at Attenborough Arts Centre with artists Robert Thacker (left) and Diane E Hall (right). Photo: David Wilson Clark did the photos
NN Contemporary Art, YOU MOVE ME by Gemma Riggs, Laura Murphy & Melanie Wilson
NN Contemporary Art, YOU MOVE ME by Gemma Riggs, Laura Murphy & Melanie Wilson

The Portfolio now also features five additional organisations, which represent a real endorsement for artists and the artist-centred scene. Awards to Backlit and Primary consolidate ACE support for Nottingham, the region’s most prolific centre for visual arts and champion progressive artist-led activity. Northampton’s NN Contemporary Art is recognised for its ambitious programming and unerring support of artists, providing a vital resource and facility in that county. In response to the news Catherine Hemelryk, Artistic Director at NN, enthused: “We are thrilled to have been awarded NPO status. We love working with artists from Venice Biennale award-winners to recent graduates, from Northampton to New Zealand. We are passionate about supporting artists to make new work and developing their practices through CPD programmes and we especially enjoy sharing art with everyone! Gaining NPO status is a real badge of honour for us and we look forward to developing what we do over the coming years! The future is exciting!”

Primary, Guillaume Pilet, ‘La Mesure Harmonique’ (2015)
Primary, Guillaume Pilet, ‘La Mesure Harmonique’ (2015)
Backlit
Backlit

UK Young Artists will help hundreds of young artists, including visual artists, to develop their practice and pursue a creative career through cross art form opportunities and intercultural dialogue. Artcore‘s entry to the group supports visual arts practice as a platform for community engagement on a local, national and international level and enables the sector to respond to the demographic of the region.

UK Young Artists, Alexander Duncan. Photo: Paul Carroll
UK Young Artists, Alexander Duncan. Photo: Paul Carroll
Artcore. Bloody Boats at Artcore online Gallery Photo: Designcore
Artcore. Bloody Boats at Artcore online Gallery
Photo: Designcore

Threshold Studios, Frequency Festival, Seeper. Photo: Benjamin KiddEast Midlands’ museums have also been recognised with Derby Museums and Leicester County Council securing funding again in this period and Leicester City Council and Nottingham City Museums and Art Gallery joining as new NPOs. Each will receive four year funding to support their programmes and collections – particularly exciting for the latter institution undergoing redevelopment through an Heritage Lottery Fund award.

Close Distance: Caroline Broadhead, Nic Sandiland and Angela Woodhouse. Installation detail, Wollaton Hall. Photo: Freddy Giffiths
Close Distance: Caroline Broadhead, Nic Sandiland and Angela Woodhouse. Installation detail, Wollaton Hall. Photo: Freddy Giffiths
New Walk Museum, Leicester
New Walk Museum, Leicester

These decisions demonstrate a commitment to and an endorsement for regional activity and product by Arts Council. They demonstrate an step towards redressing the geographic imbalance of investment, directing more to the regions away from London. They are an indication of ACE’s commitment to diversifying the Portfolio: in cultural, geographic, access and artform terms. In addition, the awards better ‘paint the picture’ of the region, representing a broader range of organisational models and reflecting the geographic breadth of the region. Collectively these organisations will strengthen and diversify the sector over the next four years with new approaches and practices, which should impact positively on artists and audiences alike.

Threshold Studios, Frequency Festival, Seeper. Photo: Benjamin Kidd
Threshold Studios, Frequency Festival, Seeper. Photo: Benjamin Kidd
QUAD. Photo: Graham Lucas Commons
QUAD. Photo: Graham Lucas Commons

Leicester-based artist, Lucy Stevens responded: ”As an artist living and working in Leicester this will mean that more venues will have funding to showcase artwork and will be open to collaborating with artists to celebrate the city, showcase its excellence and highlight its unique history and culture. It opens the doors for something new and challenging and gives university graduates a reason to stay in the Midlands.”

Derby Museums, Finding Lines exhibition. Liz Atkin in the studio. Photo: Lenka Rayn H
Derby Museums, Finding Lines exhibition. Liz Atkin in the studio. Photo: Lenka Rayn H
Phoenix, Kitty Clark, MR NOBODY. Photo: Harry Meadley
Phoenix, Kitty Clark, MR NOBODY. Photo: Harry Meadley

There are still challenges to the sector with local authority funding for arts and culture diminishing, the same sector being recently separated from the creative industries in a restructure of ministerial responsibilities at the Department for Culture, Media and Sport (DCMS) and an anticipated withdrawal of EU funds post Brexit. New practices, new markets and new audiences are needed. This Portfolio will no doubt rise to the challenge.

CVAN EM is delighted to be hosted by Leicester Print Workshop and is looking forward to working with partners, new and old, as this region’s visual arts ecology expands and to celebrating what is produced and presented here.

 

Find out more about the organisations:

Read CVAN’s response to the national investment in visual arts for 2018-22.

Image:

Celebration Factory | Filip Markiewicz I’m Richter Now (detail), 2017

Oil and spray paint on canvas

Photo: NN & Joe Brown