
CVAN EM AGM 2026: Reflection, Dialogue and Collective Action
Taking place at a pivotal moment for the visual arts sector, the 2026 CVAN EM AGM provided an important opportunity to consider the wider context shaping our work.
CVAN EM celebrates and supports visual arts and culture in the region, fostering an inclusive long-term future for the sector, emphasising equity and access for all arts workers.
Updates, features, and insights from the visual arts community.

Taking place at a pivotal moment for the visual arts sector, the 2026 CVAN EM AGM provided an important opportunity to consider the wider context shaping our work.

CVAN EM is seeking new members to join our Steering Group at an exciting moment of growth, investment and regional development. Open to Artists and Arts Workers based in the East Midlands.

Questions to Ask When Working With Others is a gathering where artists / arts workers can meet to share their experience/s of challenges related to their practice. Conversations to be centred around, but not exclusive to fractures, expectations and breakdown when working with others. This gathering with be held by artist-filmmaker Beverley Bennett and consist of a series of sharing activities to take place during the session centred around the theme.
Discover exhibitions, workshops, talks, performances events and creative activity across the region.

A new Hayward Gallery Touring exhibition of screen-prints by Eduardo Paolozzi, open at the Usher Gallery as part of a national tour. Paolozzi's General Dynamic F.U.N is a series of fifty screenprints and photolithographs created between 1965 and 1970. Here Paolozzi employs the technologies of mass-reproduction and gorges on its idols – the household names of consumer advertising, high fashion and Hollywood. Image: Paolozzi Eduardo, Totems and Taboos of the Nine-to-Five Day © 2026 The Paolozzi Foundation, Licensed by DACS.

This exhibition presents installation works made from shoelaces, grasses, stone, pins, and sound, exploring the quiet entanglement of natural and synthetic materials.

Flat Earth is a solo exhibition by Bristol-based artist Phil Root, presenting new ceramic works. Working with foraged and industrial materials—unprocessed clay, wood ash, and brick dust— Root explores the limits of traditional ceramics through experimental casting, glazing and firing, inviting clay to behave on its own terms. Whether casting asphalt textures from outside his studio or firing slabs of raw clay dug from a Bristol building site, he lets materials shape themselves—altered by heat, pressure, and time.
Funding opportunties, residencies, creative roles, commissions, open calls, and professional or creative development.

We are delighted to present an exciting opportunity to be part of an innovative and energetic arts organisation. As Curatorial Admin Assistant, you will provide efficient support to the Curatorial department across Exhibitions and Live Programmes. This is a great role for someone organised and proactive, with an interest in arts administration and exhibitions and events planning. Hours: 2 days, 14 hours per week which can be worked flexibly with occasional evening and weekend work required Term: 1 year fixed term, with the possibility of extension after this period To read the full job description and person specification, please head to our website https://www.nottinghamcontemporary.org/about/work-with-us/#curatorial-admin-assistant.

Attenborough Arts Centre is working with partners in 2026-27 to refresh The City Classroom as Leicester s Local Cultural Education Partnership. The City Classroom s Vision is to ensure that every child and young person in Leicester thrives through rich cultural experiences. Our Mission is to raise the quality, reach and coordination of cultural opportunities across Leicester for school-age children both in school and out of school, in an effective place-based partnership for the city. We are seeking to work with a Freelance Project Manager to help us re-establish The City Classroom as Leicester s Local Cultural Education Partnership. The Project Manager will be hosted by Attenborough Arts Centre s Learning and Communities team and will report to our Learning and Communities Manager. The Freelance Project Manager will ensure the smooth and timely delivery of our Action Plan for 2026-27. This will include managing surveys and consultative processes, establishing new processes and procedures, managing administration for meetings, and organising a number of different events and initiatives. Fee and availability We would like to work with the Freelance Project Manager from 2026 to spring 2027. The fee for the Freelance Project Manager will be 250 per day for a minimum of 15 days work until April 2027, a total of 3,750. The Freelance Project Manager will be engaged on a self-employed basis. Application To apply, please send us: Your CV including the contact details for 2 referees A short covering letter (max 1 side of A4), outlining how you meet the expectations of this role and the shortlisting criteria. Please send applications to Marianne.pape@leicester.ac.uk Marianne Scahill-Pape, Learning and Communities Manager, Attenborough Arts Centre Deadline for applications: Midday, Tuesday 5 May 2026 Interviews will be taking place on Monday 18 and Tuesday 19 May For more information on the role and how to apply, download The City Classroom Coordinator Job Specifications by clicking here.

Prisma Art Prize is an international platform dedicated to painting and two-dimensional works. We welcome artists worldwide and celebrate the many directions painting can take today—traditional or experimental, intimate or bold—always with a focus on strong visual research. Annual Awards & Opportunities Cash prizes: €2000 per year (distributed across the four quarterly calls) Exhibition: group exhibition at Contemporary Cluster, Rome (Late 2026) Solo shows: Isorrophia Gallery Prize + Pallavicini–Dettori Prize Artist residencies: Dar Meso (Tunis), Casacon (Sirolo, Italy), Osservatoriomaree Residency Prize
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