REBECCA JARMEN | BIAS CUT
From: 21st January 2022 7:00 pm
To: 30th January 2022 6:00 pm
New Midland Group
One Thoresby Street, Thoresby Street, Nottingham, UKWorking in a variety of media including drawing, installation, and sound, Jarman’s practice centres on how art can act as a conduit for social change.
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Exhibition: 22 – 30 January 2022, open Saturdays & Sundays, 12 – 6pm
Private View: Friday 21 January, 7 – 9pm
Location: One Thoresby Street, Nottingham, NG1 1AJ
Join us to celebrate Rebecca Jarman’s first solo exhibition, Bias Cut at One Thoresby Street. Rebecca is the recipient of NMG’s UoL Production Bursary given in partnership with University of Lincoln. Offered exclusively to undergraduates from University of Lincoln’s BA (Hons) Fine Art who graduated in 2020/21, this opportunity was for an emerging artist affected by the Covid-19 pandemic providing them with the tools and resources to produce and exhibit work within a NMG partner venue.
Working in a variety of media including drawing, installation, and sound, Jarman’s practice centres on how art can act as a conduit for social change.
Jarman often takes an analytic and research based approach and has taken Caroline Criado-Perez’s ‘One-Size-Fits-Men’* discussion as a starting point for this project. Perez notes that ‘women have, on average, smaller hands than men’ but very few manufacturers cater to this. Similarly, women’s clothes often have significantly smaller pockets or lack pockets completely. This means that women are often encumbered more significantly than men and thus have to change their behavior to fit their surroundings rather than the design of their surroundings adapting to them. This is highlighted in Jarman’s denim-tapestry work, where we are able to see the significant difference in size of a man’s jean pocket to a woman’s. Often, design marginalises women’s bodies, meaning that both literally and figuratively, women don’t fit in. The unconscious biases that lie behind these misogynistic designs, and the effect they have on the everyday experience of women are further emphasised by the abject, grotesque sculptures and the audio installation in the exhibition.
“I met Criado-Perez in October of 2021 and asked her how she imagined her work would translate into art, her response was ‘I don’t know you’re the artist, you tell me’. This exhibition is my personal response to not only her ideas, but my experience living as a woman in the modern, man-made world.” – Rebecca Jarman.
